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[dream-pop, indie-pop] (2017) Hope Sandoval & the Warm Inventions - Son of a Lady (EP) [FLAC,Tracks]{100.XY}

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Description

(2017) Hope Sandoval & the Warm Inventions - Son of a Lady (EP)





Review:
The EP opens with a lullaby. Nursery-style word
repetition and simple rhyme are the building blocks 

of “Sleep,” and when the first ping of
glockenspiel—that old classroom favorite—hits, you almost 

start to wonder when the
children’s chorus will join in. The lyrics tucked in between refrains of 

“Sleep, sleep”
and “Weep, weep,” though, are more unsettling than pacifying, and Sandoval’s 

suggestion
to sleep “until you feel desire” or “until you don’t feel alone” posits sleep as a 

cure-all for depressive tendencies. Above the strum of an acoustic guitar, she seems to long for 

the
time when sleep was a routine activity celebrated in song, not a necessary refuge from the 

disappointments
of the waking world.

Where “Sleep” borrows from lullabies, “Son of a Lady” takes cues
from fairy tales. Sandoval sings 

in hushed tones about “the son of a lady/Whose heart was
betrayed”—character description that could 

be plucked from the pages of a child’s
storybook. The tale of secret messages and locked doors is 

scored by glittering strings that are the sonic
equivalent of twinkle lights, so gorgeous and 

glowing that they effectively distract from anything unsightly
lurking in the shadows. The unlit 

corners of “Son of a Lady,” are filled with intimations of
heartbreak and betrayal; and, unlike 

fairy tales, this song gives no indication that resolution is imminent.
Sandoval’s voice here is 

worn as ever and does not inspire hope for a bright future.

The
last of the three tracks, “Let Me Get There,” feels separate from the others. It’s a solo 

version of a song previously released as a duet with Kurt Vile; Sandoval’s vocal melts into the 

warm acoustic accompaniment, but without the tempering presence of Vile’s brand of indie cool, the 

phrase “It’s all in the groove” sounds strange in her mouth. The irony of that insistent, recurring


request of the chorus is that it embraces a kind of logic that Sandoval’s music typically
rejects—

the lyric implies a specific destination, an urge to move forward that rarely characterizes
her 

songs themselves. Instead, they meander, consider, and drift in and out of focus. The languid 

soundscapes Sandoval and her collaborators have created over the years forgo driving production, 

overt
emotional upheaval, or anything else overly dramatic; they revel in stasis.

That is, perhaps, why we
can’t fault the singer for sounding on Son of a Lady almost exactly as she 

did during her tenure as
frontwoman of Mazzy Star, decades after the fact. Her songs aren’t in a 

hurry to get anywhere in
particular, and neither is her artistic project as a whole; when stasis is 

this intoxicating, nobody cares
to ask for change. The enduring sameness of Sandoval’s style also 

provides proper context for the
nostalgic undercurrents of Son of a Lady. After all, what is 

nostalgia but immobility—the halting of
forward motion by the insatiable desire to go back.






Tracklist:
01 - Sleep.flac
02 - Son of a Lady.flac
03 - Let Me
Get There (Acoustic).flac




Summary:

Country: USA

Genre: dream-pop, indie-pop


Media
Report:
Source                           : CD
Format                           : FLAC
Format/Info 
                    : Free Lossless Audio Codec, 16-bit PCM
Bit rate mode                    : Variable
Bit
rate                         : ~ 699-817 Kbps
Channel(s)                       : 2 channels
Sampling rate     
              : 44.1 KHz
Bit depth                        : 16 bits

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